The Douro is slowly passing by Croft´s Quinta da Roêda just
outside Pinhão. But it has not always been like that. Until the river was
dammed the water was lower and caused rapids where it makes a bend. The sound
or the noise from the river, the arrueda,
gave name to the Quinta.
The Quinta
was founded in 1811 and was owned by Taylor
in many years. But when John Fladgate´s daughter married one of the
representatives from Croft, the Quinta changed hands. When Fladgate Partnership
bought Croft and Delaforce in 2001 Roêda returned to the old owners.
Recently The
Vintage Port Club in Denmark
hosted a Croft tasting of most of the declarations since 1955 – including two Single
Quinta Vintages from Roêda. Normally at a vertical tasting like this we divide
it into two sections (as far as I remember it was Dominic Symington who
introduced us to this method) – first the oldest half of the wines beginning
with the youngest, and secondly the youngest half beginning with the oldest. Tasting
the wines in this order means that we don’t start with the oldest vintages, but
we will taste them before the youngest wines, that are full of fresh fruit and
tannins and can ruin the ability to taste the full pallet of the old and more
fragile ones.
The first wine
was the 1985, a
year that has brought some very good wines, but unfortunately more
disappointments. This evening Croft was among the latter. Already somewhere
between red and mahogany with a light brim. A weak aroma with a bit cherries
and alcohol, low acid and just a bit fruit left. The 1977 was slightly better
without making any impression. Brown, a hidden aroma of strawberry and nuts,
very light and some pepper in the tail. None of them seems to have a long life
in front of them.
This was
sort of expected. Croft did not have the best reputation in the 70ths and
80ths, where it seems like they focused more on quantity than quality. From now
on the wines could only improve and they did!
The second section
of the tasting started with Quinta da Roêda 1987 and 1995. 1987 was red brown
with marmalade and pine needles in the nose. Nice and drinkable right now, but
without depths and a broad pallet. 1995 was dark red and had a lot of fruit and
tannins left. I think it will approve.
After that
we ended with Croft 1991, 1994, 2000, 2003 and finally 2007. Now there was a
lot of dark colour and fruit in the glasses, the last ones inky.The more
light and perhaps more elegant style with cherries gave room for more powerful
and muscular wines with darker berries, plums some coffee and tobacco and
perhaps a bit pine needle. In generally they were a bit sweeter, deeper and
with a burning tail. 1991 did not have that much depth and power, but a lot of
fruit. 1994 was a bit closed right now. Unfortunately the 2003 I tasted was
corked, but the report from the other end of the table was, that it was very
good and promising. 2007 showed a lot of potential too.
My
conclusion is that Croft in older vintages is very good, and that the quality
is rising again, but in a bit more sweet and concentrated style. The head
winemaker now is Taylor
and Fonsecas David Guimaraens, who wisely has chosen to give the brand its own
style. One of the first things the new owners did was to reinstall the old
lagares at Quinta da Roêda – a fine symbol of the intentions to produce port of
high quality.
After the
tasting the participants voted for the best wines of the evening. A couple of
corked and odd bottles disturbed a bit, but there was no doubt about the first place:
- Croft 1963 with 58 points
- Croft 1970 with 35 points
- Croft 1955 with 13 point
- Croft 1994 and Croft 2003 with 12 point.